In Motion

Working on F1: The Movie, I wanted to capture the energy of being around those extraordinary machines.
Not simply how they looked, but how they felt.

I paired vintage lenses and handmade filters with an old DSLR, letting experimentation lead.
Later, a full-spectrum camera opened another direction, producing the black-and-white images.

The experiments eventually found their way into my portrait practice, where movement became another way to reveal a person.